
Would anyone pay attention to Michael D'Antuono's artwork if he did not resort to something he knew would provoke Christians? In case you're wondering, he painted President Obama as the crucified Christ, saying that his First Amendment rights should override someone's hurt feelings.
How can we not agree with the fellow? We live in a wimpy culture that has no stomach for real debate. Our skin is as thin as an atheist's epistemology. We whine and cry foul when others begin to critique us. So let the guy paint. But let's remember that he'll have to pick up the tab for it--we all will. All speech, every word, will be answered for.
I'd like to return to the question of art, and the question with which I started this post.Would anyone pay attention to his work if he didn't resort to something so calculated to offend?
Let's repay evil with good, do the guy a favor, and consider his work--that
is what he wants us to do. First, does it show skill? Second, does it show integrity? Last, does it speak the truth?
Skill: Personally, I find it amateurish. He does not paint like a man who has mastered his craft. Obama seems almost to be a cut out that has been pasted onto the background.Others may be able to point out where the painting is excellent, and certainly I have much to learn about this. But with my eyes, it looks about the quality of a political ad.
Integrity: D'Antuono says he was not literally portraying Obama as Jesus, and that the crucifixion was metaphorical. Conservative media (and we know
they're out in droves), like to depict liberals as literally believing in Obama as their savior... apparently. (Of course, Jamie Foxx was a
conservative saying "Our Lord and Savior, Barack Obama," right?). But the artist's denials of a comparison with Jesus do not ring true. Obama's is painted in a pose which is commonly used when painting the crucified Christ, with the head looking down and to the right. Also, whenever someone is portrayed as crucified, the association immediately goes to Jesus. The artist could have chosen other ways to depict the President as being brutalized--many of them very visceral and emotional (dragged behind a pickup truck, lynched, beaten, etc.). They also would have been much less
cliche. No doubt D'Antuono is as paranoid of
cliche as he is of anthrax, but he made a calculated choice. He can paint in
cliche, and have people pay attention for shock value (Sock it to those Christians! That'll get their undies in a wad! Here I think of the infamous crucifix-in-a-jar-of-urine stunt.) Or he can think about his message, and paint it with more integrity and creativity--and risk that others won't notice him.
But getting noticed, folks, getting noticed is what modern art is all about. Y'see, they've got bills to pay, and their talent has not yet been properly lauded, and... and ... Yes, there are always excuses for selling out. I don't know D'antuono's heart, but the way I see it, this is either a little piece of commercialism, or he is clueless about cliche. I think the former more likely.
Truth: the final test I am applying is the truth test. Does the painting speak the truth about the world? If it is merely saying Obama is being crucified, well then, yes, it is speaking truth. Obama, all politicians, and every Christian to boot is crucified, has been crucified, and will have more crosses to look forward to. People speak evil of Obama of which he is not guilty (though he is guilty of many evils). But see above. I think D'Antuono is not speaking the truth about the Jesus-connection. Whenever the left
or the right looks to any man as Savior, they will discover that they are in for a terrible disappointment. The way to change our country is not by getting the right man into office, it is by the Holy Spirit replacing our hearts of stone with hearts of flesh, it is by our nation returning to acknowledge the Lordship of Jesus Christ. "For there is given no other name under heaven whereby a man can be saved..."